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Perhaps the appealing vision of neighborliness that For the Hog Killing, 1979 presents, and the image of agricultural community that it provides, can challenge those of us who are encouraged by the book to channel our memory into the practice of hope.
Women like Tanya bring artistry and honor to everything they touch: the homes they inhabit, the land they steward, the children they raise. These photographs are testimony to the clear, sharp eye of a woman who is herself an artist—and who brings that artistic gaze to every endeavor she undertakes.