Elizabeth Stice is an Associate Professor of History at Palm Beach Atlantic University. When she's not teaching class, she enjoys reading, running, and spending time with her dog.
Elizabeth Stice remembers the impact of the events of 9/11 on college students 20 years ago. Now a college professor, she considers the disillusionment of her own students, and how the Christian meta-narrative allows for hope in a broken world.
As our society considers higher education in the twenty-first century, the best way to decide what universities should be is not to gaze into the future, but to study the past for what universities have been and what they have been able to do. Marsden’s thoughtful and thorough historical narrative in The Soul of the American University Revisited raises a helpful signpost for our society.
By the end of season one of Clarkson's Farm, Clarkson is still not an expert on anything farming related, but he is learning all the time, including about the area where he lives and how to love it well.
Elizabeth Stice reviews Sebastian Junger's new book, Freedom. The new book is a product of a roughly 400-mile hike Junger took with other men processing their war experiences. Junger's approach to freedom is based in reality and, as a result, speaks to real life.
Slacker portrays a city and a scene that are delightfully different and offbeat, and the best kinds of places for many emerging creatives today are that way, too. You don’t have to leave the state or run off to the biggest city to do something big: there is a real beauty and opportunity in the less-sung places.
When Petrarch uses Augustine to call himself out for being bound and dragged down by the “chains of love and glory,” students are forced to consider what it is they are pursuing, in college and in life.
2020 has certainly had real trials and tribulations, but our approach to it is also reflective of a culture in which everything disliked has long been “the worst.”
If Dolly Parton left the Smoky Mountains, it seems to have been on a hero’s journey that Joseph Campbell would have recognized. She came back, bearing gifts.
In television and movies, heroes often push away the ones they love, because relationships can be obstacles or endangering for one or both parties. But what if love is not a liability, but a force greater than gravity?
