Casey Spinks is a Ph.D. student in the religion department at Baylor University. A native of Baton Rouge, he earned his B.A. and M.A. in philosophy and religious studies at Louisiana State University. His academic work has appeared in the book Taking Kierkegaard Personally and the journals International Journal for Philosophy of Religion, Philosophy & Theology and Perspectives in Religious Studies. And he has written essays for The Imaginative Conservative, Christianity Today, and VoegelinView. He is also an avid birder and occasional carpenter.
With this love and materiality, these two films express the pure reality to which their protagonists are so devoted. In a world of frictionless unreality, endless abstractions, and tepid and timid loves, these films impress upon us resistance, difficulty, attachment, and the dire risk that attachment brings
Casey Spinks muses on zombie shows, Pixar movies, Scorsese films, metaphysical realism, and the philosophical fate of modern culture in his review of Age of Anxiety: Meaning, Identity, and Politics in 21st-Century Film and Literature, by Anthony Wachs and Jon Schaff.
Even if ‘land’ is less important than actual vote share, this map does point to a very real issue at the heart of American politics: namely that majorities, specifically local majorities, matter very much in our democracy.
So long as old Christianity is treated as an aesthetic or an alternative lifestyle or a set of values contending against alienated modernity, it will never be anything more than a therapeutic commodity. But if we allow it to reckon with us, we may find ourselves snared in the grasp of “something real.”
In the midst of whatever trials come to us and whatever revelations do not, we are still called to serve, to do good, and to love our neighbors as ourselves. And to believe in the voice that may not choose to speak to us, to hold fast to the goodness given to our beloved but unseen by everyone else—that is the vocation of faith for many of us.