The Nightstand

children are inchoately aware of the sadness of the world; it’s another of the human mysteries that they already have access to. Lobel’s genius is in choosing for his subject tragedies that are too small to really qualify as tragedies, and thus by the paradoxes of the spiritual world become the deepest and most incandescent tragedies of all.

For Kaplan, when comparing two countries and asking why one has succeeded where the other has failed, what matters most is not national policies but “societal dynamics—the strength of the social glue, the nature of relationships across groups, and the role of social institutions.” These are things that manifest (or fail to manifest) at the local level.

Still, Berry maintains, the particularly Amish ways of working, rejoicing, and relaxing work together to promote the “great possessions” enumerated by Kline in his essays. “The lives of fellow creatures and our delight in those lives are great possessions,” writes Berry. Kline delights in what surrounds him on his daily round of labor, whether it be nesting bobolinks, his children, or the neighboring farms whose owners he all knows by name.

Lauck is unambiguous that he is engaged in a project of “civic retrieval,” to “remind us of our ideals and how many battles we have already won” and promote the story of the old Midwest as “a hopeful signal to us all in this moment of democratic peril and doubt.”

Like Bob Dylan, Hamer’s life was marked by protest and songs of protest. Her protests, however, grew from her personal experience on the ground in Mississippi. Kate Clifford Larson’s Walk With Me demonstrates this rootedness in the local and Hamer’s commitment to place in meaningful ways.

County Highway is not county-specific. It’s for all of America outside major cities. Well, outside of New York and Los Angeles, for sure. In the second issue, there’s a piece about unions in Las Vegas. Another “outsider” voice comes from Miami, though he travels to Puerto Rico. It’s “the rest of America,” but it’s not necessarily rural America, despite the squirrel recipe.

Wendell Berry's fiction shows what relationships look like with skin on—how real relationships are enacted between people. As the characters who inhabit the fictional town Port William interact, they demonstrate how individuals can either perpetuate or obstruct meaningful relationships. The lives of two characters in particular, Hannah and Burley Coulter, have a lot to teach us about relationships and liberty. Together, Hannah and Burley demonstrate how caring for people in committed relationships requires moving beyond personal liberty for the sake of the other.

I’ve also been struck by the number of people in the book-producing-and-selling business who are uninterested in their product. On the retail end, there was the manager of a bookstore who admitted, without embarrassment, that she doesn’t read books and never has. She might as well have been stamping passports for the lack of excitement and knowledge she exhibited as she went about putting books on the shelves.

David Heddendorf’s novel, The Terra Cotta Camel, is, as the subtitle accurately puts it, about “hope, new beginnings, and Des Moines.”...

Out-of-sight, out-of-mind is the quintessential modern American problem-solving strategy, and it sure does have a lot going for it, when it comes to dealing with our problem of stuff—that other quintessential modern American problem. Alas, it won’t work in this case, for we really do pull these things off the shelves regularly to look up one thing or another. And it is wonderfully convenient to be able to say “oh, yes, here’s where I read about this topic” to a friend who is over for dinner—and then pull the book I’m thinking about off the shelf, right then and there.